In "Dear Käthe" Claudia Balsters and Hannah Goldstein deal with the biographies and works of prominent artists whom they find inspiring. In a sense of an active appropriation, they produce independent photographic artworks and thus transfer the ideas of others into their own presence.

The careful design of the setting for the photographs - place, object, person and gesture; the construction of installations - are part of the artistic process. Balsters' and Goldstein's associations with artistic models give rise to new works that open up a resonating space and can be understood as the beginning of a conversation.